Auditioning at Stage Left

• Auditions begin promptly at the specified times.

•Headshots/ Resumes are not required, but you may attach them to your audition Jotform sign up.

• Please be aware and mindful of any conflicts you will have during the rehearsal process and production run. Be prepared to share these on your audition form. A production calendar will be provided for reference

• TRIGGER WARNING to those who audition: Some of our productions at Stage Left include adult themes. You are encouraged to research the play or musical to have a clear understanding of the material's themes and content. You can state your comfort levels and prefrences on your audition sheet. For shows that require it, a trained intimacy coordinator will be utilized.

• Remember, if we do not cast you, it doesn't mean that you didn't audition well, or that others were more talented than you. Many factors go into the casting process and is not a reflection of you or your talent.

Approach auditions as a learning opportunity and have fun with it! Make yourself proud first and foremost.

There are often times when a show is cast and then changes are made after that casting due to conflicts, illnesses, etc., so maintaining a positive outlook during and after auditioning is crucial.

More than anything, you are here to show us who you are!

Be yourself. Be professional. HAVE FUN.

Riverwood Auditions

Rehearsals will take place Monday-Thursday from 6-10pm with likely Saturday daytime rehearsals (Time TBD based on actor schedules), as needed.
All rehearsals and performances will be at Stage Left Theater.
Performances run November 6-22, 2026.

• Auditions will be held Saturday, September 26 from 10am - 2pm at Stage Left.

• Callbacks will be held Saturday, September 27th at 10am at Stage Left.

• For auditions, actors should be ready with a 1-2 minute monologue and be prepared for cold readings from the script. Sides will not be provided prior to arriving at the audition, this is to ensure all auditioners have an equitable opportunity to prepare.

The Script is available for reading upon request.

• You may submit a video audition of your 1-2 minute monologue, if you are unable to attend in person.

• This show contains some serious themes surrounding gentrification, anti-Black classism, betrayal, joy, and community all working together simultaneously.

• For this show, the actors get a $50 stipend and will share equally in the Artist Appreciation / Production Tip Pool collected during the run of the show - paid out to cast and run crew after the final performance.

• Please fill out any known conflicts that you may have during the rehearsal and production dates at the bottom of this form. Be honest: Better to list conflicts than to surprise us later. Having conflicts does not preclude you from being cast EXCEPT during Tech Weeks and Show Dates (October 31st-November 22nd).

While actors of all ethnicities, gender identities, and backgrounds are encouraged to audition, please note that this production focuses on the experience of Black characters. Director, Malcom Pelles, will be casting racially appropriate actors to portray these characters.

Performers should be comfortable portraying the ages listed for each role. Given the content of production, roles will be age restricted to no younger than 16.

In the event that any cast or crew are under 18 years of age (minors), ALL production members will be required to complete a background check.

Character Breakdown:

TEL – (Male, 15-18 years old) A headstrong, thoughtful, yet misguided Black young man.
CRUNCH – (Male, 15-18 years old) A Black or biracial young man. A follower coming into his own.
DÉDRA – (Female, mid 20s -late 30s) A Black woman. A warrior for her community.
LENARD – (Male, 30s-early 40s) A Black man of thirty. A dreamer who forgot how to dream.
MISS PENNY– (Female, 50s - 60s+) A Black woman. Vulnerable when she chooses to be, and firm when she needs to be. Ever the voice of reason for those she loves.

Content Advisory for Auditioners: Strong language, including use of racial slurs; the script also includes a monologue depicting gun violence and police brutality against a Black teenager. Sides for cold readings will be chosen thoughtfully by the director, but feel free to reach out in advance if you'd like more detail on the material.

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