Auditioning at Stage Left:
• Auditions begin promptly at the specified times.
• Please DO NOT ARRIVE MORE THAN 5 MINUTES EARLY to your audition as we want to keep the number of people in our lobby regulated.
• Plan on being at the audition during the entire time. Water will be provided. You may not be there the entire time, but it's good to prepare to be.
• If you have a headshot and/or resumé, please bring them with you, or attach below. These are not requirements to audition! If you do not have a headshot, we may request to take a photo of you after your audition. These will be used only for casting purposes and not shared anywhere else.
• Please fill out any known conflicts that you may have during the rehearsal and production dates at the bottom of this form. Be honest: Better to list conflicts than to surprise us later. Having conflicts does not preclude you from being cast EXCEPT during Tech Week (One week prior to Opening).
• For PLAYS, auditions will include selected readings from the script, both individually and with scene partners. Prepared monologues under 2 minutes are encouraged but optional.
• For MUSICALS, you are encouraged to prepare 16 to 32 measures of a song (not from the musical) and bring your printed sheet music to the audition. You may also be asked to sing selections from the musical with sheet music provided. An piano accompanist will be provided.
• TRIGGER WARNING to those who audition: Some of our productions at Stage Left include adult themes. A certified Intimacy Director will be involved with the production, and trigger warnings will be posted on the audition form for each production. You are encouraged to research the play or musical
• Remember, if we do not cast you, it doesn't mean that you didn't audition well, or that others were more talented than you. Many factors go into the casting process, and often excellent auditions do not lead to an offered role, while "less-than-stellar" audition do! There are often times when a show is cast and then changes are made after that casting due to conflicts, illnesses, etc., so maintaining a positive outlook during and after auditioning is crucial. More than anything, you are here to show us who you are. Be yourself. Be professional. HAVE FUN.
OCTOBER 8 6pm to 9pm
The story follows the strained, sexual relationship between Li'l Bit and her aunt's husband, Uncle Peck, from her pre-adolescence through her teenage years into college and beyond. TRIGGER WARNING: Using the metaphor of driving and the issues of pedophilia, incest, and misogyny, the play explores the ideas of control and manipulation.
• LIL' BIT (female, 30s to 50s)
• UNCLE PECK (male, middle-aged)
• MALE GREEK CHORUS (male, plays various ages)
• FEMALE GREEK CHORUS (female, plays various ages)
• TEEN GREEK CHORUS (female, plays various ages)
Director: Susan Hardie
Stage Manager: Matt Pope
Assistant Stage Manager: Holland Jones
Intimacy Director: Nike Imoru
Scenic Design: Cordero Aaron
Lighting Design: Isabella Hurrell
Costume Design: Neva White
Production Manager / Sound Design: Chelsea DuVall
The play won the following awards: The Pulitzer Prize for Drama (1998), numerous Off-Broadway Lucille Lortel, Obie, Outer Critics Circle, and, most recently, the Tony Award for Best Revival of a Play (2022).
NOVEMBER 19 6pm to 9pm Callbacks NOV 20
Fun Home traces the coming-of-age of lesbian author Alison Bechdel, from her youth, to her years at Oberlin College, and finally to the present, where Alison, now grown, is struggling to write her own graphic autobiography. As Alison reflects on her past, she struggles to make sense of it, particularly her relationship with her father, Bruce, a closeted gay man and the owner of the family business, the Bechdel Funeral Home.
• BRUCE: Alison's Father, Baritone, 30s to 40s
• ALISON: Female, Mezzo-Soprano, 43
• HELEN: Alison's Mother, Mezzo-Soprano, 30s to 40s
• MEDIUM ALISON: Female, Mezzo-Soprano, 19
• SMALL ALISON: Female, Alto, Child around 9-10
• JOHN: Male, Treble/Boy Soprano, Child around 6-8
• CHRISTIAN: Male, Treble/Boy Soprano, Child around 10-12
• ROY/PETE/MARK/BOBBY/JEREMY: Male, Tenor, plays various ages
• JOAN: Female, Alto, 18-22
Director: Troy Nickerson
Music Director: Cedric Bidwell-Williams
Assistant Director: Jeremy Whittington
Stage Manager: Elizabeth Kitzig
Assistant Stage Manager: Holland Jones
Intimacy Director: Nike Imoru
Scenic Design: Jeremy Whittington
Lighting Design: Alana Shepherd
Costume Design: Neva White
Prop Design: James Landsiedel
Numerous TONY AWARDA including Best Musical 2015
Various Lucille Lortel Awards
Various New York Drama Critics' Circle Awards
Various Outer Critics Circle Awards
Stage Left Theater
108 West 3rd Avenue, Spokane, Washington 99201, United States
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